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    Name: David Ocker
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    Friday, May 16, 2008

    A Modest Proposal - Increase Gas Taxes Now

    In my dozen years in Pasadena I must have driven past the undistinguished intersection of Green and Chester Street a thousand times. But a couple weeks ago I walked past it for the first time. I took a bunch of pictures. Here's a Google map view.

    Green and Chester Street Sign - Pasadena CA - (c)David Ocker
    On the northeast corner of Green and Chester is an old unused gas station. I can't call it "abandoned" because it's kept up. Here's a picture which I took today. (Click any pic for an enlargement.) The place is swept. The garage doors painted. Electric lights were burning during the day.

    What, I wonder, is the story with this place?

    Old gas station panorama shot Pasadena CA - (c)David Ocker
    It seems even stranger if you compare todays pic with what's visible in Google Street View. Go back to the above map link, click on Street View and then click the arrows until your little avatar is facing northeast. There's no green paint and no old fashioned gas pumps. The Google street view can't be that old. Things have been changing at this station.

    Here's the funky old clock with numbers askew which is located above and to the right of the garage doors. The garage-door building housed a vintage clothing store about a year ago.

    Old gas station clock Pasadena CA (c)David Ocker
    Next picture is a closeup of the three gas pumps in front of the little hut with a big air-conditioning unit on top of it. The remaining pictures in this post are all shots of the individual pumps - getting closer and closer and finally ending with the price per gallon of gasoline on the Fire Chief pump very easy to read.

    My best guess is that this lot was used for a movie shoot and that the pumps will disappear as mysteriously as they appeared. Got a better guess? This blog encourages comments.

    Three old gas pumps - Pasadena CA (c) David Ocker
    Meanwhile, lets talk about politics. Hillary Clinton, who is not the next president of the United States, has been trying to buy our votes by suggesting the gas companies should pay our gasoline taxes for a few months. Money in our pockets. Silly plan, Hil.

    How much is the gasoline tax? Currently we in Los Angeles pay 18.4 cents Federal tax plus 18 cents state tax plus 8 3/4% sales tax and maybe some other little tax bits per U.S. gallon. That's about 71 cents on a $4 gallon - around 17% tax. Not a heavy tax. (Check your state's gas tax here.)

    Texaco gasoline pump logo Pasadena CA (c)David OckerDid you know California is in deep shit state budget-wise - not enough money is coming in to meet expenses. You probably have a similar problem on a day to day, paycheck to paycheck level.

    California's governor, an actor trained to ignore reality, has brainstormed his way out of the problem. (His real problem is actually how to leave office without causing a societal collapse rather than balancing the budget.)

    Texaco gas pump Pasadena CA (c) David Ocker
    Governor Borrow and Spend wants us Californians to vote. He's giving us two options. He wants us to choose how to get out of the crisis so he and the other officials we elected won't have to do their job by coming to an agreement. Gov says "either/or."
    • Either we can vote for the state to borrow more money (this time from our own Lottery because banks won't loan money to California again. Note that the Gov got us out of the last crisis a year or two ago.) ... OR ...
    • We can vote to raise the sales tax on ourselves. (Sales taxes are a breeze for rich people to pay - they hurt poor people the most. Remember that there are more poor people than rich people and everyone thinks they will win the next lottery.)

    Texaco Sky Chief logo Pasadena CA (c) David Ocker
    But I am here today, my fellow Americans (or my fellow Californians), to suggest an alternative.

    We should increase the gasoline tax immediately.

    But here's the twist - pass the law now but don't start the new tax until the price of gasoline starts to fall.

    The price of gasoline will fall eventually - partially because of supply and demand (when EVERYONE owns a Prius no one will want much gasoline) but mostly because George II will stop being our President in just eight months - and everyone, all over the world, is going to want to take a nice relaxing bath and have a cup of high-anti-oxidant green tea once George is back in Crawford. I hope.

    Texaco Sky Chief and Fire-Chief pumps Pasadena CA (c)David Ocker
    Here's how the Ocker Tax would work. For every two cent drop in the price of gas the tax would go up one cent. It works through the magic of statistics and mathematics. Don't worry - someone somewhere understands numbers. You and I don't have to. Our only job will be to pay at the pump. These days there's actually a television cop show you can watch starring people who understand Numb3rs. so you don't have to worry your innumerate head about it.

    As the price of gasoline drops and the tax goes up, the price we pay at the pump will still drop. Just not as much as it might have. We will still all personally benefit from lower prices while the government gets increased revenue. This could be spent on hiring an extra police officer. But most likely the money will just pay off the debt.

    What's the trick? There are no benefits until the prices drop.

    But when they do there will be new tax revenue and it will come at the same time as falling prices. If the total price of all gasoline sold drops by a gazillion dollars the government gets half a gazillion and we consumers split the other half gazillion.


    Texaco Fire-Chief logo Pasadena CA (c) David Ocker
    The real trick is getting the legislature to think ahead into the future and pass a law contrary to common stupidity. (There is no such thing as common wisdom.)

    People tend to think that the prices which have been rising steadily for a while will always rise higher and higher. Just like ever-increasing real estate prices which have kept our banks and brokerage houses rolling in profit. (um, that's a joke.)

    Remember, things go in cycles.

    Another cycle predicts that eventually the Knee-Jerk Republicans will get elected again.
    The Republicans are Knee-Jerkers because they answer every question with the same involuntary jerk - "we'll cut taxes". They can only get elected by offering to cut our taxes. And most of us will vote for a tax cut.

    Maybe we can talk the Republicans into only cutting the gasoline tax by a quarter-gazillion dollars. Public revenue still comes out ahead by the final quarter of a gazillion dollars. That's a lot of money. Well, in truth, a quarter gazillion doesn't go as far as it used to.

    The price of gas long ago Pasadena CA (c) David Ocker
    In my fantasy this plan would work. It's perfect. It can't fail.

    It does depend on people accepting the counter-intuitive notion that "things are cyclical". Like the universe which goes around and around in circles, big rocks circling thermo-nuclear explosions.

    I don't know why people figure tomorrow will be exactly like today only more so. But they do. Is it a tenet of Christianity or something?

    The beauty of the Ocker Tax is that if I'm wrong about the cyclical thing and the price of gasoline does continue to go up in perpetuity then my modest tax proposal will only COST NOTHING. People do vote for things which cost nothing. Although we'll have to suffer through naysaying hot air typhoons from politicians who can only think as far into the future as the next election.

    On second thought, forget I said anything. This is a lame-brain idea and it's not going to happen.
    Sorry to have wasted your time.


    The price of gas long ago Pasadena CA (c) David Ocker
    My apologies to those people who never fail to mention how much they hate it when I write about politics.


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    Thursday, May 15, 2008

    The Second Second Story Series - Concert One Pictures

    Here are more pictures from the first concert of the Second Second Story Series on April 16, 1978. Well, this first picture of Carl Stone looking up to Jan Greenwald's Mobile 4 John Cage was posted before. It's still kinda cute.

    Second Second Story Series - Carl Stone and Jan Greenwald's Mobile 4 John Cage 1978N ext are two shots of a rehearsal of Song for Three Clarinets by Lois Vierk (now known internationally as Lois V Vierk). Lois is conducting in the first shot. The clarinetists, left to right, are Laurel Hall, "Dave" Ocker and Alan Solomon.

    Lois is listed in Wikipedia. Follow the links to more interesting reading.

    Second Second Story Series - Song for Three Clarinets by Lois V Vierk 1978
    In this shot you can see the screen for the film in Carey Lovelace's Crotchets and Contrivances performed by Stuart Fox, guitar and James Hildebradt, percussion - but there are no pictures of them.

    Second Second Story Series - Song for Three Clarinets by Lois V Vierk 1978
    Two shots of Songs to Death by Anna Rubin with Joan Collopy, soprano, Erika Duke, cello and Lori Alexander, piano.

    Second Second Story Series - Songs to Death by Anna Rubin 1978Second Second Story Series - Songs to Death by Anna Rubin 1978



    (Mandala) by Pauline Oliveros was the final piece on the concert. Here's Pauline's website.

    The title drawing was a map of the players' locations. Four percussionists positioned around the bass drum. Four clarinetists positioned towards the four directions and eight glass players, two in each quadrant. Apparently the soprano started on the outside and spiraled in towards the center during the piece. That's how I interpret it now with my very foggy memory. If your memory unit is better please leave a comment. Judging by these pictures everyone wore white.

    Anyway, the next picture is of me, "Dave" the clarinetist, at my location on the far side of the white bass drum. White was never my color.

    Second Second Story Series - (Mandala) by Pauline Oliveros 1978Here are a few other performers in the Oliveros piece milling around. With one hand on his hip the other holding a glass is Tom Recchion, well-known these days for his membership back then in the LA Free Music Society .

    Second Second Story Series - Tom Recchion and (Mandala) performers 1978
    All these Polaroid pictures were taken by Robert Jacobs - find him online here and here.

    There will be at least two more posts in the Second Second Story Series Series. The next will include more pictures - polaroid headshots taken by Rob Jacobs and the story of how a few of them have become portraits one of which hangs in my home. And then, on May 30, the final concert - featuring Terry Riley's In C - with its three press reviews.

    Click this link to see all the Second Second Story Series series posts.
    Click this link to see all posts about the Independent Composers Association.
    You can download the entire series program book as a 17 meg. pdf file by clicking this sentence. It has more information about every piece, composer and many of the performers.
    Clink any picture to see it get bigger.

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    Thursday, May 08, 2008

    One Year of Mixed Messages

    Hey, over on the right where it says "Hey! Over here on the right.", is Mixed Messages - a whole other blog. My other blog. One of my other blogs.

    Today (May 8, 2008) is the one-year anniversary of my first post to Mixed Messages. In 29 more years I'll make a big deal out of it.

    Click here to see the initial Mixed Messages post. Or just look at this picture. The three little duckie squeeze-water-pistols are still in their individual cat-food-tin boats buffeted by the waves of our kitchen counter.

    three duckies in cat food tins (c) David Ocker
    Mixed Messages is a TumbleLog hosted by Tumblr. Go start your own. I started mine because I wanted a way to post single pictures or little items frequently and easily. Each post here on Mixed Meters takes too much time and thought.

    If you go to Mixed Messages most recent post you can scroll back through page after page of previous Mixed Messages posts using the hard-to-find "previous" or "next" links at the very bottom of each page.

    Starbucks table with half-eaten Starbucks treat (c) David Ocker
    Mixed Messages posts automatically appear in the right hand column here at Mixed Meters through the miracle of RSS, whatever that is. For a while the Mixed Messages pictures re-sized automatically when they appeared at Mixed Meters - but something changed and I can't fix it. So Mixed Meters readers can only see the left half of every Mixed Messages picture. Click on them to enable the workaround. It's a burden I'm willing to have you bear.

    Gradually I settled on two principal categories for Mixed Messages content:
    • my own original pictures
    • music-related quotes which I found amusing (either because of their profundity or because of their utter stupidity. Can you tell the difference? Try it with this one.)

    The most popular Mixed Messages post falls into neither category. (It gets a lot of hits from the search engines.)

    Many of my Mixed Messages pictures (and hundreds more) can be see at my Flickr Blog.



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    Wednesday, May 07, 2008

    The Second Second Story Series - Part Three

    Today we continue Mixed Meters' exciting series on the 30th anniversary of The Second Second Story Series, four concerts in April & May 1978 produced by the Independent Composers Association (ICA) in Los Angeles. You can read the second Second Second Story Series post here. Read the first one there.

    Here is a picture of composer Carl Stone looking up at Mobile 4 John Cage by Jan Greenwald, performed on concert one. The mobile is the score for her piece. At first I thought Carl was holding a drum - but what he's really doing is trying to shine light on the mobile using a lampshade. Lighting was a problem in the venue. This was before Carl started his website Sukathai.com.

    Carl Stone with Jan Greenwald's Mobile 4 John Cage Second Second Story Series
    Today, May 7, is the anniversary of the third concert. Music by Anna Rubin, Carl Stone, Richard Amromin, Stephen Mitchell, Robert Jacobs, Scott Fraser and someone named DAVE Ocker. (Soon after these concerts I stopped calling myself "Dave" - but I don't object if others choose to call me that. The reason I stopped will require a separate blog post. )

    Credit for the pictures in this and the other Second Second Story Series posts goes to Robert Jacobs who is currently living the life of the creative visual artist. He took the color photos with his Polaroid camera. And he saved the black and white ones (photographer unknown) all these years. Please visit Rob's websites at Robert Jacobs Art and Angels of Protection.

    There are SO many pictures that I've decided to add at least one extra Second Second posting - probably between now and the last concert (the highly successful series finale) on May 30. Click any picture for an enlarging experience.

    Here are composers Scott Fraser (wearing his summery Koss Pro-4AA headphones) and Stephen Mitchell.

    Scott Fraser and Stephen Mitchell at Second Second Story Series
    PROGRAM THREE - May 7, 1978

    TRIX OCARINAS for three ocarinas and percussion (1978) -- Anna Rubin
    (world premiere)
    ocarinas by Susan Rawcliffe

    LIM for magnetic tape (1972) -- Carl Stone

    FAIRWEATHER, BELLWETHER, AND AIRMAIL
    for magnetic tape (1974) -- Dave Ocker

    RHEA
    for piano (1967-1978) -- Richard Amromin
    (world premiere)

    INTERMISSION

    LAZULI for magnetic tape (1977) -- Stephen Mitchell

    EL DIA for two clarinets and piano (1977) -- Robert Jacobs
    (World Premiere)

    RECITATION for magnetic tape (1978) -- Scott Fraser

    TRIX OCARINAS for three ocarinas and percussion (1978) -- Anna Rubin


    The program book for the entire series (which you can download as a pdf here) contains the full program with performers' names, program notes for every piece, composer biographies and other exciting stuff.

    Here are composers Anna Rubin (at left) and Susan Palmer and bassoonist Carolyn Beck. Carolyn belonged to the CSUN Contemporary Ensemble which performed on the second concert. Below is a picture of conductor and CSUN professor Daniel Kessner (now retired, I believe).

    Anna Rubin, Susan Palmer, Carolyn Beck - Second Second Story Seriesconductor Daniel Kessner - Second Second Story Series
    Next is a group shot of seven ICA members on the "stage" of the Center for Yoga. Left to Right: Richard Amromin, Anna Rubin, Dave Ocker, Robert Jacobs, Susan Palmer, Lois Vierk (with improvised eyeglasses) and Stephen Mitchell (on a folding chair separated slightly from the others for reasons unknown.)

    ICA members at Center for Yoga - Amromin Rubin Ocker Jacobs Palmer Vierk Mitchell
    The next two pictures seem to have been taken at ICA meetings in someone's home or apartment. Going to meetings was the primary activity of an ICA member. We had countless meetings. The first shot shows Stephen Mitchell and Jan Greenwald; the second Lois Vierk and myself.

    ICA Members at meeting - Steve Mitchell and Jan GreenwaldICA members at meeting - Lois Vierk and David Ocker





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    Wednesday, April 30, 2008

    The Second Second Story Series - Part Two

    Click here to read the first post in my series about the ICA's Second Second Story Series. Click here to skip to the first program later in this post. Click here to skip to the second.

    There were four concerts total. Today, April 30, 2008 is the 30th anniversary of the second one. Here is the cover of the program book:

    Second Second Story Series 1978 - Program Booklet Cover
    You can download the entire program book as a 17 meg. pdf file by clicking this sentence. The booklet is 28 pages. It includs all four programs with complete performer listings, program notes and biographies of each composer and many performers, plus other things common to all program books like advertisements and the full score to Terry Riley's In C on the back cover.

    The Center for Yoga was (as I remember) an old lodge hall of some sort. Here are pictures showing the performing area. The first (scanned from a proof sheet) was taken from the balcony. This is a rehearsal of The Scream of a Night-Heron by Susan Palmer - with the violist missing.

    Second Second Story Series at Center for Yoga April May 1978
    This picture shows the hall from the opposite direction. Composer Scott Fraser is well-posed while listening to playback of a magnetic tape piece. Above him you can see part of the balcony. Behind him are three large leather chairs.

    Second Second Story Series 1978 - Scott Fraser
    Here's a better view of those chairs - being used by Ganga White of the Center for Yoga and composers Richard Amromin and Scott Fraser again.

    Second Second Story Series 1978 - Ganga White, Richard Amromin, Scott Fraser

    Here is a polaroid shot (taken by Rob Jacobs) of composers Pauline Oliveros and Anna Rubin. For information about Pauline Oliveros start here. Here's a link for Anna Rubin.

    Second Second Story Series 1978 - Pauline Oliveros and Anna Rubin

    PROGRAM ONE - APRIL 16, 1978
    MUSIC BY WOMEN COMPOSERS

    MOBILE 4 JOHN CAGE for 5 radios (1978) -- Jan Greenwald
    (world premiere)

    SONG FOR THREE CLARINETS (1978) -- Lois Vierk
    (world premiere)

    CROTCHETS AND CONTRIVANCES for guitar and percussion (1977) -- Carey Lovelace
    film by Roberta Friedman

    INTERMISSION

    SONGS TO DEATH for soprano, cello and piano (1976) -- Anna Rubin
    poems by Sylvia Plath


    for soprano, 4 clarinets, 4 percussion and glass players (1978) -- Pauline Oliveros




    Rob Jacbos kept these pictures in this post safe since 1978. We do not remember the photographer of the black and white shots. More of Rob's own color Polaroid photos will be included in the remaining posts about this series. Rob's recent work as an artist can be found here and here.

    Here are composers Susan Palmer and Rob Jacobs. Notice the person reading the program book in the upper right corner. (Click to enlarge any picture.)

    Second Second Story Series 1978 - Susan Palmer and Rob Jacobs
    PROGRAM TWO - APRIL 30, 1978

    PHIELDS for magnetic tape (1977) -- Scott Fraser

    THE SCREAM OF A NIGHT-HERON for soprano, fl, cl, bn, vln, vla, vcl (1978) -- Susan Palmer
    (world premiere)
    Lynn Griebling, soprano
    CSUN Contemporary Ensemble, Daniel Kessner, conductor

    THINGS IN THE NIGHT
    for magnetic tape (1978) -- Stephen Mitchell
    (world premiere)

    FOUR MINUTES A YEAR
    for clarinet/recorder and piano (1978) -- Robert Jacobs
    (world premiere)

    INTERMISSION

    DURATION II for magnetic tape (1976) -- Jan Greenwald

    CHAIN-REACTION I (pianos) (1973) -- Drew Lesso
    (U.S. Premiere)
    Three Time Zones & Resultants
    Music Theatre

    NONET
    for fl, cl, bn, hn, tp, tn, vln, vla, vcl (1975) -- Richard Amromin
    the CSUN Contemporary Ensemble, Daniel Kessner, conductor


    Here is composer Drew Lesso, on the left looking down at the 1978 video camera, with two other people, preparing for his piece Chain-Reaction I

    Second Second Story Series 1978 - Drew Lesso with video camera and others
    Here is Chain-Reaction I in performance. For more pictures and information about Chain-Reaction I please click here.


    Please tune in to Mixed Meters on May 7 and May 30 for the exciting continuation and conclusion of this series about the Independent Composers Association and The Second Second Story Series.



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    Monday, April 28, 2008

    The Golia LaBerge Ocker Trio

    Skip to the video of Vinny Introducing Me
    Skip to recordings of the Golia LaBerge Ocker Trio
    Skip to a new 30 Second Spot The Nurkle (for Vinny)

    The renaming of the CalArts School of Music, as discussed in this previous MM post, has progressed to the Temporary Sign Stage. Here's proof photographic.


    The Herb Alpert School of Music at CalArts Temporary Sign
    I made another trip to the beautiful Santa Clarita Valley (read about the first trip in this other previous MM post.) Trip one was at the request of my friend Art Jarvinen. Trip two was at the request of my friend Vinny Golia. Here's a picture of Vinny.

    Vinny Golia teaches the Career Design course at CalArts
    This time I was asked to speak to a class in "Career Design". Don't ask me what that is because I don't know. Apparently students who know what I have done during my so-called career will be able to avoid my obvious mistakes. Good luck with that.

    I made the following video of Vinny as he introduced me to the class. I've added a few text comments of my own to the video.



    At the end of the introduction Vinny mentions a wind-instrument improvisation trio which consisted of Anne LaBerge on flutes, myself on clarinets, and Vinny on clarinets, flutes and small saxophones. This happened during the eighties.

    Vinny Golia, Anne LaBerge, David Ocker
    I asked Anne and Vinny for permission to post some recordings of the three of us. They agreed (although Anne wanted me to mention that she is still alive. She has a home in a place called Holland and maintains a homepage in a place called the Internet.)

    I've posted three studio improvisations which we recorded in February 1986. We never did anything with the tapes except culling these three takes onto a separate reel for radio interviews. The box is marked "No electronic sound processing" because, apparently, there had been some confusion about how we made the sounds.

    This is complet